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Ensoniq | ASR-10 Rack |
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Description | The ASR-10 stands for the Advanced Sampling Recorder - a completely digital music production studio. It's a 16-bit sampler that came in both keyboard and rack-mount versions. It shipped with 2 MB of sample memory which could be expanded to 16 MB for a few minutes of stereo cd-quality sampling time. It lets you choose from sample rates of 30 to 44.1 kHz and has all the professional sample editing functions you would expect to find from a pro sampler including autolooping, volume smoothing, normalize, crossfading, and time comp/exp. Even resampling through its effects, EQ, etc. is possible! What's special about the ASR-10 is that it is a sampler using the synthesizer architecture of Ensoniq's classic line of synths from the SD-1 to the ESQ-1. Your samples are stored as part of its WaveSample memory. The ASR-10 can hold 127 WaveSamples, which can also consist of its two multimode digital filters, the LFO, one random noise generator, three envelope generators (hard-wired to the pitch, filter cutoff, and amplitude), and a modulation matrix with 15 routable modulation sources. Up to eight layers of WaveSamples can be combined to create your final sound. In this light, the ASR-10 basically looks like an advanced TranseWave (waveform modulation) synthesizer in which YOU create its WaveSamples! The ASR-10 integrates a digital effects processor and MIDI sequencer on-board for a complete workstation. There are up to 62 effects (including vocoding) based on Ensoniq's DP/4 effects processor. A whole range of reverbs, chorus, flange, phaser, distortion, digital delay, speaker effects, etc. are available. The ASR-10's sequencer has 16-tracks and with its 31 voices of polyphony you can create some pretty complete musical performances. The sequencer (reminiscent of the SD-1 and VFX-SDworkstations) provides real time and looped recording modes, 96 PPQ clock resolution, an auto-locate function, punch in/out, and other useful features. And the ASR-10 can sample while the sequencer is playing. It can store up to 80 sequences or patterns which can be chained into a song (only one song can be in memory). With OS version 2.0, the ASR-10 also has a "Tape Recorder" mode in which you can record two tracks of audio for use along with the sequencer for an advanced all-in-one music making machine! Recording can be to its RAM or to external SCSI hard drives via the SP-3 SCSI interface (optional on keyboard ASR-10 version) for extended sampling/recording time and memory. It can support up to seven simultaneous hard disks and/or CD-ROM drives. You can even process external audio through the ASR, live or along with sequences. Over the years Ensoniq has continued to upgrade it adding an AES/EBU digital I/O upgrade, digital audio recording and importing of new sound formats, and more. The ASR-10 is compatible with Akai (S-1000/1100) and Roland CD-ROM sound librarys. A high-density (HD) 3.5" disk drive comes standard on all models. |
| Brand | Ensoniq |
| Model | ASR-10 Rack |
| Device | Sampler |
| Type | Rack |
| Engine Type | Digital |
| Engine | Sample |
| Voices (max) | 31 |
| Multitimbral | 8 |
| LFO | Y |
| Noise | Y |
| Sampler | Sigma-Delta 64 times oversampling, 16-bit, 30kHz or 44.1kHz variable sampling rates; 127 WaveSamples, up to 8 Layers per Program. |
| Filter (VCF) | 2 digital filters in series, one low-pass, one high pass. Up to 4-pole filtering with 6, 12, 18, and 24 dB/oct slopes. |
| Envelope (VCA) | 3 envelopes: Env 1 to WaveSample Pitch; Env 2 to WaveSample Filter Cutoff; Env 3 to WaveSample Amplitude. |
| FX | 1 effects unit with 50 to 62 effects including vocoder (reverbs, chorus, flange, phaser, distortion, digital delay, speaker effects) |
| Memory | Sampler: 2 MB expandable to 16 MB; Patches: 8 Instruments |
| Sequencer | 80 Patterns |
| Recording | 16 tracks, (999 measure limit each), 1 Song at a time |
| Keys | 0 |
| Key type | N/A |
| Velocity | N/A |
| Aftertouch | N/A |
| Midi | I-O |
| Extra info | Upgrades for adding an AES/EBU digital I/O upgrade, digital audio recording and importing of new sound formats, and SCSI. |
| Produced: | 1992 - 1998 |
| Legend: | Obvious | Y: Yes, N: No, N/A: Not Applicable | |
| VCO | Voltage Controlled Oscillator | DCO | Digital Controlled Oscillator |
| LFO | Low Frequency Oscillator | Sub | Sub Oscillator |
| VCF | Voltage Controlled Filter | VCA | Voltage Controlled Amplifier |
| Velocity | As with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key. | Aftertouch | Pressing a key after you activated it. Channel Aftertouch, no matter which key, it will send a Channel message. Poly Aftertouch, sends the pressure per key instead of the whole channel. |
| Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise. | |||
